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| 1600 |
| | | A performance in the Oratory in Rome, with music by Emilio de' Cavalieri, is in effect the first oratorio | |
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| 1604 |
| | | Annibale Carracci completes an influential ceiling fresco in the Farnese palace in Rome | |
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| 1608 |
| | | The Flemish painter Peter Paul Rubens completes an altarpiece in Rome which is an early masterpiece of the baroque | |
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| 1624 |
| | | Nicolas Poussin arrives in Rome, where he develops the tradition of French classicism | |
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| 1627 |
| | | Claude Lorrain, basing himself like Poussin in Rome, paints classical landscapes suffused in light | |
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| 1629 |
| | | The sculptor and architect Giovanni Lorenzo Bernini is given the task of adding the drama of baroque to the newly completed St Peter's in Rome | |
|  | Bernini's Baldacchino in St Peter's
Fotofile CG
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| 1634 |
| | | Francesco Borromini begins work on his intricate baroque masterpiece, the Monastery of San Carlo alle Quattro Fontane (1634-43), in Rome | |
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| 1654 |
| | | Queen Christina, a secret convert to Catholicism, abdicates in Sweden and travels to Rome | |
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| 1679 |
| | | 19-year-old Alessandro Scarlatti has a great success in Rome with Gli Equivoci nel Sembiante, the first of his 115 operas | |
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| 1709 |
| | | In a friendly keyboard contest in Rome between Handel and Domenico Scarlatti, the result is a draw – Handel being the winner on the organ and Scarlatti on the harpsichord | |
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